The Artefact – Reflective Report

This artefact is an ever-evolving Glossary of terms that begins with the tools used in the Book Arts Workshop and uses an inclusive microteach* to explore the languages and identities in the workshop to facilitate student understanding and empower their own learning as well as foster an environment for collaboration and sharing as creatives and creators with a shared skill or interest.

________

I am a white British woman, working as a technician in a college wide workshop, with a widely international student cohort. I work with students of a multitude of ages, identities and proficiencies in the English Language. As a white person at the University of the Arts London (UAL), I am in the majority of staff members according to the UAL Diversity & Inclusion Report from 2018. Specifically, I work as a full-time technician in the Book Arts Workshop, and I work with one other colleague, who is also a white female European. In relation to my project, I will primarily focus on the interactions between myself and the student cohort. However, it is crucial to recognize that despite being a minority within the classroom, students may unconsciously centre my role due to my belonging to the dominant group within the university (Jang in 2017)

Through my learning during the PgCert, I am aware of the limitations in understanding the experience of a lot of our students in the Book Arts Workshop. During the 5 years I have worked in my position, I have also noticed our limitations in communicating with a variety of students who are new to England, or learning in the English language.

In addition to English as a second language, the work we do in the Book Arts Workshop (BAW) involves a lot of specific and technical terms, and, as a heritage craft, uses a lot of old English words out of place – For example, a “Bone Folder” translated into any other language, could be understood as a tool used to fold bones, but rather it is an item made out of plastic (Bone is a left over term as they used to be made of cow bones) and is used to fold and crease paper.

Describing these tools to groups of 15-20 students at a time means that any misunderstanding is often quietly withheld, and results in a more confusing workshop experience for the student. They spend time working out what the tools name means, or what was said, while the teaching continues without their attention. It made me think about how girls in Southeast Asia, the Middle East, and parts of Africa and South America miss out on school due to menstruation, and how teaching goes on without them as they miss a week of education each month. This loss can build up to 13 weeks of missed school, and can result in significant disruption to their education, and contributes to higher dropout rates among girls (Das 2018)

The other action that can sometimes occur when this confusion arrives, is that the students quietly discuss it with their peers to work it out. This disrupts their peers, and can sometimes mean that my colleague and I, unaware of what they are discussing, assume they are not interested in the workshop. We then have two options, to ask them to pay attention, (in front of the other students this feel like an aggressive act) or to allow them to chat and continue for the sake of the other students in the room.

Both of these outcomes mean that as the teacher, you have no awareness if anyone is stuck, before moving on with the instructions.

______________

My initial plan for the artefact was simply a published glossary book, available in the workshop for students to read in their own time. The Glossary would include translations of every tool used in BAW in every major language, as well as translation and descriptions of more complex terms used. For example, Bone Folder would be described as a tool made of a hard material, used to fold and crease paper. This description would be in each language, with photos of the tool at use in the workshop.

I thought more about this object in the workshop, and the reality of where this publication might sit. It did not feel very accessible. If there was just one book, and many students at the same time, they would have to come in outside of teaching hours to read through the book, or they would read through the book during teaching, which is more disruptive to the demonstrations and everyone else’s learning as well as their own.

Perhaps I thought, it can be an online resource, on Moodle. How would it be used? Students would have to retain all the information either in advance of a workshop or look it up and understand after a workshop.

To read in advance, the likelihood that all the information would be remembered is slim, and to read after the workshop, does not have any impact on the initial confusion during the workshop teaching.

A poster in the workshop? This would need to be HUGE in order to fit all the information, or it would need to be very small typeface. It is also then, only available in the workshop, and has the same limitations as the published book.

Both physical forms also don’t allow for changes or additions as the Glossary grows, new languages come to the space, or terms are updated.

We foster a very friendly environment in the workshop, and a lot of students stay in touch after they graduate, so I discussed this with a few of our regular students and Alumni, with English as a second language, and two of whom self-described as beginning their degree with a low competency of English.

I asked them 3 key questions.

  1. Where in the workshop teaching did you find yourself getting lost? Was it in the language used, the speed, or the description of the tools?
  2. What could we as teachers do to help if you were confused in a demonstration? Calling it out in front of peers feels too aggressive, but leaving you to your confusion also isn’t fair.
  3. Do you discuss your confusion with your peer groups in your native language? Is this because you are embarrassed or because you don’t have the language to explain?

I made some excellent discoveries.

 Firstly, almost all of the participants agreed that the confusion arose from tools and terms.

“They were described with a title, and then used.”

“you don’t really need to know the title, unless you need to ask about it, but if you don’t understand what they said, then you can’t ask about it anyway”

“yeah, sometimes it’s just like a quick thought, like ‘what’s that called again?’ but it feels like it would be too hard to explain what you are asking about”

Secondly, upon discussing how we could help in confusion, it seemed to stem mostly from embarrassment, on insecurity about language capabilities.

            “I didn’t every want to slow the class down by asking a question everyone else seems to understand”

            “or if it’s not an important thing, like what a tool is called, you can just ask the person next to you if they got it”

            “sometimes it is just gossip with your friend, like ‘oh man, is it really bone?’ or nice colour paper, or something like that”

I mentioned that I can notice if someone is confused, or talking with a peer, and that asking them what they are talking about, even by just saying “all okay?” or “you guys okay?” can be received as aggressive and feels like hostile traditional Teacher>student relationship dynamic.  The participants agreed that is uncomfortable in any situation. I wondered if maybe there is a way of opening it up to the entire class as a conversation, so that nobody would feel pointed out.

The last point excited me, as these ‘gossip’ questions are all useful. In Book Arts we are keen for everyone to understand every part of every process as it helps you to make a decision in your work, and place the materials and methods used in context.

I decided then to change my artefact into mini microteaches during workshop sessions, where, as each tool is used and described, I ask participants of the workshop if they have seen it before, and what they would call it.

I discussed this with peers and colleagues and Shura, my tutor in the unit. Shura expressed a lean toward asking openly for contributions on this is preferable, rather than explicitly asking each person to engage one-by-one, as this could have some feeling of “performing a cultural thing” attached to it, that can make people uncomfortable which is totally the opposite of what I intend to achieve with this.

Instead, I will ask the group if anyone has seen this tool before. The I will describe it, what it is made from and what it is used for.

There is then a time period where it could be comfortable for some to contribute what they would call that tool, or if they have seen it in a different context, what they would use it for.
This informalises the contribution. I can also level the field by beginning with a difference my colleague and I have. These differences can sometimes be cute or funny, and Shura mentioned it is still worth cataloguing these, to have as a glossary that students could engage with after the workshops, if they found this part of the discussion interesting, but weren’t confident to contribute in the session.

My intention was to break down the hierarchical barrier between myself and the students and to de-emphasize the dominance of the English language. However, the experience has been even more transformative than I anticipated. With the guidance and input from students, colleagues, and the PgCert team, I have been filled with enthusiasm and inspiration to explore language in a more creative manner. I now view it as a playful tool to shift focus from Eurocentricity and embrace diverse language, and in this sense, it becomes a symbol for a wide array of new creative possibilities and stimulating discussions for staff and students alike.

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-Das et al. (2018) “Menstrual hygiene management among schoolgirls in South Asia: a systematic review and meta-analysis”
https://pubmed.ncbi.nlm.nih.gov/26936906/

-Jang, B (2017) “Am I a Qualified Literacy Researcher and Educator? A Counter-Story of a Professional Journey of One Asian Male Literacy Scholar in the United States.”

 Journal of Literacy Research 2017, Vol. 49. pp. [Online]Available at: https://journals.sagepub.com/doi/pdf/10.1177/1086296X17733491 [Accessed on: 10/07/21]

Tutorial with Shura

I discussed with Shura that i have thought of changing the glossary from a physical collection , into an interactive part of the workshop format, where as each tool is used, and described, i ask participants of the workshop if they have seen it before, and what they would call it.
Shura expressed a lean to ward asking openly for contributions on this is preferable, rather than explicitly asking each person to engage one-by-one, as this could have some feeling of “performing a cultural thing” attached to it, that can make people uncomfortable which is totally the opposite of what I intend to achieve with this.

Instead, I will ask the group if anyone has seen this tool before, and describe it, what it is made from and what it is used for. There is then a time period where it could be comfortable for some to contribute what they would call that tool, or if they use it in a different context, what they would use it for.
This informalises the contribution. I can also level the field by beginning with a difference my colleague and I have,

For example I can mention;

“I call this an awl, and Rahel calls it a pricker.”

These differences can sometimes be cute or funny, and Shura mentioned it is still worth cataloguing these, to have potentially as a glossary that students could engage with after the workshops, if they found this part of the discussion interesting, but weren’t confident to contribute in the session.

We went on to discuss how I hoped the public sharing would create a social aspect and interaction between the students, as we often notice students speak only with their established friend group, but there can be four of five students regularly accessing the workshop, working on the same type of project, with a lot in common, but as they didn’t have the initial connection, they are reluctant to speak to each other. He mentioned that I could still find a way to Gamify this, and use previous contributions, and ask “where do you think this is called this?” as a way to let the students know the glossary is something I am building, and working on, rather than just an unrelated quiz in the middle of a Book Arts session.

We also discussed the possibility of other tools, or ways of making that can lead to the same result, either for disabled or less able students, who for example, folding a piece of paper with a bone folder could be hard for , and could be replaced with using the foot pedal creaser. Sewing horizontally could be difficult for someone with reduced mobility in their hands, but one could use a stitching pony to hold their book in place, enabling them to sew more freely.

Shura reminded me that the point of the Artefact is the way you critique it against the blogs and sessions, and so to cover more than one possible use of the glossary could be beneficial, using inclusive and intersectional terms.

IP3 – Race

I begin this blog post with some extended context, an overview of the article.

The article A Pedagogy of Social Justice Education: Social Identity Theory, Intersectionality, and Empowerment by Aaron J. Hahn Tapper provides a detailed description of an organization’s programs and their goals. It examines the organisations approach to experiential education, focusing on empowerment and responsibility education as the fourth and fifth pillars of their pedagogy. Additionally, it discusses how five programs, each with distinct structures and working with different constituencies, can share the same pedagogical foundations.

Finally, the article briefly touches upon the long-term effects of intergroup programs in general and emphasises that the field of social justice education is still in its early stages of development. While the sustainability and effectiveness of such programs are still being evaluated, it highlights the importance of continuously questioning their impact and efficacy.

Tapper describes Paulo Freire, a renowned Brazilian pedagogue, and his views on education as a crucial tool for achieving social justice. He argues that education can either domesticate or liberate individuals, with liberation being the primary goal of pedagogical activities. Freire, drawing from his own experiences of poverty, believes that education perpetuates existing power structures and must be challenged and transformed to address this issue.

According to Freire, understanding the dynamics within a classroom requires acknowledging the role of identity in shaping and implementing education. He emphasises that students’ identities should be considered, recognising that individuals in the classroom, including the teacher, do not start from the same social status and identity. In his work “Pedagogy of the Oppressed,” Freire emphasises that an ideal educational experience occurs through a collaboration between teachers and students, rather than the teacher solely imparting knowledge. “Teachers should create experiences that integrate students’ voices and experiences, forging an interlocked relationship between their identities.”

Freire criticises the prevalent banking system of teaching, where educators deposit information into students’ minds without considering their realities or social status. He argues that such an approach fails students and perpetuates inequality. Instead, he advocates for an educational structure that fosters habitual critical reflection for both teachers and students, taking into account their identities and encouraging authentic thinking. Freire believes that genuine thinking, concerned with reality, arises through communication and action in the world.

The organisation bases their educational methodology in this thought and the pedagogy focuses on the social identities of the students and staff.

Their primary goal is “to have students teach one another about social identities and intergroup dynamics using critical thought. Teachers and facilitators are understood to be guiding, rather than leading, students through this process, assisting in steering the experience while not actually piloting it in a top-down, dictatorial manner, always using and reinforcing academic methods of critical thinking along the way.”

This concept resonated with me as my original plan for the Artefact has undergone a transformation after discussing it with peers and continuing my research.
Initially envisioned as a glossary of terms, it has evolved into an inclusive lesson format, where each unique tool used in the demonstration will serve as an opportunity for class participation. I intend to engage each student (class has a maximum of ten students) and ask what the tool is called in their respective language or culture. By doing so, I hope to facilitate an environment that embodies the principles discussed by Freire, enabling students to express their individual identities within a small and secure setting. This approach will also facilitate the transmission of knowledge among students, enhancing their understanding of the diverse social identities and dynamics present within the space.

I found the Robbers Cave experiment (Sherif et al. 1988, discussed p415) created in response to the contact hypothesis (Allport 1954) very interesting as I see it in the workshop setting time and again. While it is uncommon for us to encounter students who perceive each other as “enemies” in the emotional sense, we do observe instances where students, particularly during their initial workshop visit, feel hesitant or a lack of confidence in initiating conversations with their peers whom they perceive to belong to a different “group” as described by Hahn Tapper. However, as students engage in more workshops and are provided with additional opportunities to connect and discuss their projects, we witness a gradual transformation. Notably, during the introductory phase of workshops, we invite each student to describe their project and relevant interest to the group. Subsequently, when two or more students discover shared projects or interests, we actively encourage collaboration within the workshop space, often referencing their works and processes to each other to foster cooperative problem-solving among the “groups”.

On page 427 Tapper describes the five programs explicitly seek to;
1. explore students’ understandings of their individual and group identities;
2. deepen students’ awareness of the existence of social inequalities;
3. assist in developing students’ conception of the interconnection between social inequalities and social identities;
4. examine the roles students play in both perpetuating and working against patterns of inequality; and
5. empower students to work toward societal transformation in and through their identities.

I agree with each of these aims, that teaching should strive to delve into students’ understandings of their individual and group identities as it fosters self-awareness, empathy, and a sense of belonging. By encouraging students to reflect on their personal experiences, cultural backgrounds, and diverse identities, educators can create a supportive and inclusive learning environment. For example, a teacher might facilitate activities where students share their cultural traditions, discuss their family backgrounds, or engage in reflective writing exercises to deepen their understanding of their own identities and appreciate the uniqueness of others.

My tutor group experienced this feeling first hand, when during the micro-teach session, D asked each of us to explain our names, and how we relate to them or how they have shaped us. This exercise opened up huge areas of conversation between the group, sometimes surprising, ranging from race and class, to queer identity and familial dynamics.


It is crucial also for teaching to deepen students’ awareness of social inequalities as it promotes critical thinking, social justice, and an active commitment to creating a more equitable society. Educators can incorporate relevant historical events, current social issues, and diverse perspectives into their lessons to highlight the systemic disparities that exist in areas such as race, gender, socioeconomic status, and ability. By examining case studies or engaging in discussions on topics like income inequality or educational disparities, students can develop a deeper understanding of the structural barriers that contribute to social inequalities.

This can all assist students in comprehending the intricate relationship between social inequalities and social identities. By analyzing how different aspects of identity intersect with systems of power and privilege, students can gain insights into the complex dynamics at play in society. Guidence on examining the experiences of individuals who navigate multiple identities, such as being a woman of color or a member of the LGBTQ+ community, allows students to grasp how social identities intersect and influence the distribution of resources, opportunities, and social outcomes.

Further to that, this can encourage students to critically reflect on their own roles in perpetuating or challenging patterns of inequality. Self-reflection can prompt students to recognize their privileges, biases, and the impact of their actions on others. Discussions about unconscious bias and encouraging analysis of how beliefs and behaviours can contribute to systems of inequality can help to develop a deeper understanding of the ways in which one can actively contribute to dismantling discriminatory practices and fostering inclusivity, as I have felt during the PgCert lessons and discussions

Alongside this, teaching can empower students to recognize their agency and capacity to effect positive change in society, leveraging their identities as catalysts for transformation. Educators can provide opportunities for students to engage in activism, community projects, or advocacy work that aligns with their interests and identities. By actively participating in initiatives that align with their values, students can learn the power of collective action and the potential to create a more just and equitable society.

You can find my comments on another post of the same theme here

IP2 – Faith

The paper “Religion in Britain: Challenges in Education” explores the evolving nature of society and the changing landscape of faith and religion statistics. Understanding individuals’ positive and negative experiences with faith, as well as the complexities surrounding it, is crucial within an educational context for both students and educators. Religion and faith hold significant importance in the lives and communities of many individuals, encompassing aspects such as belonging, spirituality, and belief systems. For me, a surprising finding in the paper was the majority of university students identifying as spiritual, suggesting the influence of faith and religion on identity and a sense of belonging within the university community. It is worth noting that despite the decline in traditional beliefs, a sense of belonging persists. Therefore, it is essential to broaden our knowledge and engage in open conversations about the diverse layers of faith and religion among our students, respecting their sensitive differences.

Kwame Anthony Appiah further delves into the multifaceted nature of religion, highlighting that religion/Faith comprises not only beliefs but also shared practices, community, and a body of beliefs. Often, we tend to focus solely on the specifics of religious beliefs, overlooking the importance of community and other elements that shape religious identity. Within a university setting, understanding the complexities and diverse experiences surrounding religion and its influence on identity is vital to comprehending the student experience fully. In workshops and discussions related to faith, we should aim to inclusively support students, acknowledging and respecting the complexities inherent in such conversations.

In a society where acceptance may be lacking, religion can offer solace and a safe haven. Universities have a responsibility to ensure that all students have a secure space to explore and celebrate their faith and religion, fostering conversations that promote understanding and acceptance of differences. This commitment inspires compassion, active listening, and support for all students and staff, amplifying voices and perspectives that deserve to be heard.

You can read my comments on another post of this theme here

IP1 – Disability.

This Nowness film features Christine Sun Kim, a deaf sound artist who challenges societal norms surrounding sound and strives to reclaim its ownership. It intrigued me how we, as able-bodied individuals, often overlook our abilities and prioritise our own experiences. Kim’s profound ability to convey this concept through visualising sound is remarkably impactful. In her performances, she possesses the power to determine the sounds created and their manner. There is a delightful essence to her work, and she discusses the liberation she experiences through performance. In this instance, she seizes control of a narrative and art form that frequently remains in the hands of the able-bodied population.

The UAL Disability Service webpage provides valuable insights into the support and guidance offered by UAL for students facing disabilities. It reframes the concept of disability, emphasising that it arises not from individuals but from the way our world is constructed. It highlights that it is the world, not the body or mind, that disables. This prompted reflection on the structure of my workshops and how I can present content and ways of learning for more diverse viewpoints. It also highlighted to me the resources available to help me continue to foster inclusivity in the workshop. This resource is an essential tool for creating a more inclusive learning environment.

https://www.arts.ac.uk/students/student-services/disability-and-dyslexia

The interview with Vilissa Thompson, discusses the lack of diversity and representation of disabled people, particularly people of color, in media and society. It highlights the harmful effects of this whitewashing, including the erasure of experiences and perspectives. The article emphasises the importance of intersectionality and inclusivity, calling for increased visibility and amplification of marginalised voices. This piece serves as a crucial reminder to challenge and dismantle the systemic barriers that perpetuate the exclusion of disabled individuals from the narrative, and prompts reflection on the need for diverse representation and the role each person can play in creating a more inclusive and equitable society.

This interview highlights the vital need to give space and recognition to voices that are often silenced or disregarded, a value I aspire to cultivate in my teaching, and in my own work. Davies (2019) emphasizes the importance of inclusive curriculum design for students with dyslexia. The key principle highlighted is that by eliminating barriers for all students, courses can provide support without relying on diagnoses or disclosure (referred to as ‘critical universal design’). This approach, which involves integrating inclusive strategies into the core of the curriculum, promotes intersectional approaches to curriculum design (Davies, 2019, p. 92). I feel this particularly relevant as Carys mentioned in a session, there is a notable difference in disability disclosure between International students and Home students.

https://www.huffpost.com/entry/confronting-the-whitewash_b_10574994?guccounter=1

“Deaf-accessibility for spoonies: lessons from touring Eve and Mary Are Having Coffee while chronically ill” by Khairani Barokka offers a poignant glimpse into the author’s journey as an artist grappling with chronic pain. Barokka highlights the tendency of society to dismiss invisible disabilities like chronic pain, underscoring the detrimental impact on mental well-being and artistic productivity. The paper underscores the importance of intersectional awareness, advocating for the inclusion and advocacy of deaf and disabled communities. It encourages the development of a compassionate approach to creative practices that can be readily applied within educational settings. It emphasises the importance of fostering an environment where students feel secure in expressing their needs, while urging educators to play a facilitating role by actively listening and supporting their students. By cultivating a caring atmosphere, both students and educators can collaborate harmoniously, allowing for a more inclusive and empowering learning experience

“A Note from Birds of Paradise” reflects Robert’s response to the articles published in the Terms of Reference Journal by SoN. Robert expresses both his professional and emotional reactions to the content. What resonates is his appreciation for the diverse experiences of disabled individuals showcased in the publication, countering the overly simplified and occasionally offensive portrayals in Western society. This recognition of unique experiences inspires a compassionate approach, prioritising active listening and amplifying the voices of those who have something to share. Robert believes that embracing the diversity of students’ experiences is crucial for cultivating a nurturing teaching practice.

In addition to embedded and individualised strategies, there are broader epistemological considerations. Problematic frameworks can arise when disabling mechanisms are perpetuated, such as when learning is solely based on verbal instruction, as is often the case in the physical workshops I teach in Book Arts. While I acknowledge that everyone can have blind spots and assumptions, as discussed by Patricia Devine (2012, p. 8), these can be revealed through de-biasing methods, more open discussion with students. Through research I am sure I will find that there are other essential approaches I can take to address the more intricate concepts of epistemological harm that may have occurred in my teaching practices.

By engaging students in various contexts and exploring the questions mentioned above, I aspire to foster an environment that encourages epistemic transgression and subversion. Jain (2022, p. 33), offers valuable insights into assessment practices, highlighting that inclusivity extends beyond material and infrastructural aspects. It involves reimagining temporalities and systems.
My approach and aims are intended to foster innovative ways of reimagining teaching and learning, ultimately leading to the dismantling of disabling mechanisms.

In the spirit of inclusivity, flexibility and multiple submission options, I have chosen to cite and reference sources within my text.
I personally find the disjunction between reading text, and later finding the source to refer back to after sometimes paragraphs of reading incredibly disruptive and confusing and prefer to have the source material directly linked at the site of reference.

You can read my comments on another post of this theme here